Release Date: February 12, 2016
Running Time: 108 Minutes
With Fox now attempting its own cinematic superhero universe like Marvel Studios, the X-Men franchise has its own batch of spin-offs in development. Aside from the Wolverine films, Deadpool is the first entry outside of the main X-Men series. In the comics, Deadpool is a violent, constantly wise-cracking mercenary who is aware that he is in a comic book and will often break the fourth wall, addressing the reader and commenting on his own writers. This further extends to his appearances in video games and TV shows, the former case exemplified by him grabbing a health bar and beating his opponent over the head with it.
Deadpool, aka Wade Wilson, portrayed by actor Ryan Reynolds, had already appeared in X-Men Origins: Wolverine, a mismanaged film overstuffed with characters. Ryan Reynolds’ few minutes near the beginning as the character were delightful, but his appearance at the end was as a freakish Frankenstein monster with his mouth sewn shut, a total betrayal of the character. Seven years later the character has another shot.
Deadpool is an origin/revenge film. Faced with cancer, Wade Wilson (Ryan Reynolds) volunteers for a mutant powers project, which ends up further ruining his life, as he is left looking hideous and his fiance believes him dead. I’ve noticed that his famous moniker as the Merc with a Mouth doesn’t really apply here, as he never once takes a mission for money. His focus throughout the whole film is simply tracking down Francis, the scientist/super-soldier responsible for ruining his life, and forcing him to change him back to a normal human. His power is an incredible healing factor that makes him almost unkillable.
Of course, humor is an essential component of Deadpool and this film is chock-full of it. Almost every line of dialogue from Ryan Reynolds is a joke, even in the grimmest moments. It’s how his character interacts with the world. I would say it’s fairly hit and miss. The audience I viewed Deadpool with wasn’t exactly bursting with laughter non-stop. A good chunk of his material is dick jokes, while many of his references will undoubtedly be outdated in a few years, such as his quip about Jared and “footlongs”. He breaks the fourth wall fairly often too, and these moments work pretty well. The self-aware opening credits and post-credits teaser are a delight and his condemnation of the mishandling of his character in Origins is spot-on. While his humor misses several times, Deadpool is a fun character and generally delivers.
In the comics, Deadpool is at his best when he’s working off of other established characters in the Marvel universe, especially another superhero who’s a straight man. In this film it’s Colossus (Stefan Kapicic), who manages to have more screentime and dialogue within this movie than in all of the other X-Men films combined. In those same films he never really had a developed character, so Deadpool gets to build it. Here he’s an incredibly noble and selfless hero who is under the delusion that he can make a real superhero out of Deadpool. Under his wing is Negasonic Teenage Warhead (Brianna Hildebrand), a rude girl who doesn’t share her mentor’s interest in getting Deadpool on the X-Men team.
Weasel (T.J. Miller) is Wade’s best friend, who helps out every now and then and shares some of his humor. Vanessa (Morena Baccarin) is the love interest, and is apparently a mutant named Copycat in the comics, though here she’s just a regular human who turns into a typical damsel in distress by the end. She is a pretty good character, not special but her romance with Wade really works. The villains aren’t really all that special. Francis (Ed Skrein) is just a typical “I have good reflexes and can fight really well” character while Angel Dust (Gina Carano) is good at being a super-strong henchwoman, but doesn’t have much personality beyond that.
Much has been made of the R rating, which many felt was necessary for Deadpool. Having read some of the comics myself, I can say that a PG-13 film could have been made with almost the same effect. From what I’ve read, profanity and nudity don’t factor that much in the source material. For example, there wasn’t a ton of f-bombs n Cable and Deadpool. I do see the benefits when it comes to the violence, and many of the best moments come from the dark humor of the action scenes. I didn’t find the violence particularly insane. There was a good amount of decapitations and some blood spurts, but otherwise it was PG-13. In fact, the final battle was a little underwhelming. It feels like I’ve seen it before: the hero and villain fighting with swords, the brawl between the super-strong, and the love interest giving her small contribution when the hero looks like he might be finished. The first fight scene on the bridge, which is broken up by flashbacks detailing Deadpool’s origin, is another story. Almost all the best action and humor can be found in this one sequence.
This is an entertaining movie and it does do Deadpool’s character justice. However, it doesn’t really break all the rules of the superhero film as many believed it would. Many of the plot points can be found in numerous other action or superhero movies and it suffers from underdeveloped villains like the Marvel Cinematic Universe. I also found some of the humor to be too juvenile at points. Not in the kid-friendly sense, but juvenile in the way that a grade-schooler thinks he’s being edgy. This is a good, fun time regardless and please don’t bring your kids just because it has a couple colorful superheroes in it.