Composed by: Hans Zimmer
The third installment of what became known as the Dark Knight trilogy took a little longer to hit theaters, allowing Christopher Nolan to make and release Inception first. The conclusion of his bat-trilogy, Dark Knight Rises, was met with divided reactions, thought it still made plenty of money. I agree that a few plot points are awkward, but I quite like it. Tom Hardy’s intelligent and intimidating Bane was what fans needed after the character’s bastardization in Batman and Robin. There was also a good lesson about fighting to live instead of embracing a martyr complex, a real maturation for the Batman character in light of how his comic book counterpart is still stuck in his brooding and untrusting rut.
This time James Newton Howard has disappeared completely, leaving Hans Zimmer and Media Ventures in sole control. The one noticeable result of this is the absence of any strikingly heartfelt emotional cues such as the love theme or “Harvey Two-Face”. This isn’t to say that Zimmer’s work is bereft of emotion, it just doesn’t hit you the way Howard’s material does. Continue reading