Composed by Hans Zimmer
Naturally, after the surprising smashing success of Curse of the Black Pearl, Disney went head with a sequel. Actually they went for a full trilogy, with the second and third installments to be released in close proximity in 2006 and 2007 respectively. Dead Man’s Chest sees Will and Elizabeth’s marriage ruined by the arrival of Thomas Beckett and the East India Trading Company. Beckett has them arrested for conspiring with pirates, but offers freedom if Will can get Jack Sparrow’s magic compass. Sparrow himself is targeted by the monstrous Davy Jones (played by British national treasure Bill Nighy), the ferryman of souls lost at sea. If Sparrow does not hand himself and his soul over at the right time, Jones’ pet Kraken will hunt him down. To save himself, Sparrow determines to find the heart of Davy Jones, locked in a chest, and use it to gain the upper hand. What ensues is a series of shifting alliances and double crosses. Dead Man’s Chest is a fun film, but doesn’t stand too well on its own as it’s almost all build-up for an epic third entry. This time Hans Zimmer officially took over scoring duties and would have a much more amenable schedule to work with.
Zimmer created his score with the help of the Media Ventures gang and once again he came under fire from critics from failing to utilize a period-appropriate sound. Another hurdle was on the thematic front. Zimmer wanted to develop more original themes, but the first score was so popular that he had to reference that one as well. Zimmer largely is able to develop a cohesive thematic framework, though there are perhaps too many themes and motifs for certain aspects. The album starts with three thematic suites, covering most of the new themes and motifs. These make for a mostly engaging album-opener, turning several cues from the film into expanded album editions. Continue reading