Composed by: Akira Ifukube
Destroy All Monsters was thought up as a possible grand climax for the Godzilla series. Starring 11 monsters (actually, a few of them only register as cameos), the film once again sees aliens mind-control monsters to take over the Earth. When I was a kid I was stoked to see this movie, but was greatly disappointed. Too much time is spent on humans fighting aliens and most of the monsters don’t do much until the final battle. I would say it’s a middling effort, not good enough to be a true classic and yet not silly or terrible enough to stand with the great corny entries. Much of Godzilla’s more revered crew was brought back, among them director Ishiro Honda and composer Akira Ifukube.
As with Monster Zero Ifukube breaks out the Godzilla and Rodan themes a lot for the destruction scenes, though there are other monsters who join in on the fun in during these moments. Ghidorah’s theme also makes a return for “Major Battle at Fuji.” The female alien Kilaaks are given the same motif as Monster Zero’s Xiliens (along with the theremin), though Ifukube does freshen it up with alterations. One version I like is “Escape from Monster Land,” where the motif serves as the start of an action piece. The end of this piece is the same as the end of Rodan’s theme, though this might be a coincidence. “Main Title” introduces the Monster Land motif, for the island where all the monsters are being contained. Some of this material is worked into the opening of “Ending” and also appears when the monsters gather in “The Monsters Pow-Wow on Earth.”
The one theme everybody knows form this film is the military march. It kicks off the film in “Main Title” and appears throughout the film for the humans’ heroic efforts. It’s heroic, but has a harder edge than the previous films “Monster War March.” Reportedly a theatrical rerun of this film a decade later had the audience stamping their feet to the music. “Remote Control Destruction!” is an incredible cue not because it’s great, but because despite being well under a minute its energetic, repetitive nature makes it feel much longer. Another cue of note is “SY-3,” which at 0:18 has another heroic ditty that would later be incorporated into the Godzilla March over twenty years later.
Destroy All Monsters is a solid entry. Once again Ifukube is working with pre-established monsters, characters, and ideas so he doesn’t create a whole lot of new themes and motifs, but he’s good at what he does. Ironically, the film’s failure to provide monster action results in less repetition in the monster cues. The score’s strongest selling point is its new military march as well as nifty suspense music. After this entry the musical landscape for Godzilla would go all over the place as the series was continued to diminishing box office results.
- The Toho Mark/Main Title
- Title Credits
- Monster Land
- The Lunar Base I
- Unusual Change on Monster Island
- The Lunar Base II
- The Unmanned Subterranean Center
- The Kilaak Starmen I
- Escape from Monster Land
- The Unknown Metal
- Discovery of the Monster Controls
- Rodan Comes Flying
- The 4 Monsters Attack Tokyo
- The Missile War to Protect the Capital
- Godzilla & Angilas vs. The Defense Corps
- Radon in Pursuit
- The Kilaak Starmen II
- The Lunar Base and SY-3
- SY-3 Sortie
- The Expedition Vehicle Breaks Through
- The Kilaaks’ Essence
- Remote Control Destruction!
- The Monsters Pow-wow on Earth
- Major Battle at Fuji I
- Major Battle at Fuji II
- Destruction of the Subterranean Dome
- Fire Dragon Pursuit