Composed by: Akira Ifukube
After the box office disappointment of Godzilla vs. Biollante, Toho did what many American studios have done in the past couple decades. They played it safe, acting on nostalgia by bringing back familiar foes and concepts. Godzilla vs. King Ghidorah reimagines the dragon as the genetic creation of Futurians, time travelers who claim to be saving Japan from an apocalypse. The time travel elements are wacky and make no sense, but are highly entertaining. They do create some powerful moments by revealing more of Godzilla’s origins and examining his relationship to Japan as both protector and destroyer. This film also brought us the android M-11, who is somehow both cool and goofy at the same time. The film thus works on both an ironically hilarious and legitimately interesting level.
The film’s nostalgia factor was bolstered by the return of Akira Ifukube. According to an interview he was convinced to make his comeback by his daughter. She alerted him to the fact that Godzilla’s heroic theme appeared as a rock piece in Godzilla vs. Biollante. Ifukube thought this a grievous mis-use of his work and felt motivated to do what he considered proper. The result is a familiar and attractive score, but one unfortunately very unoriginal in places. Continue reading