Lost: The Last Episodes (2010)

Composed by Michael Giacchino

After releasing music from only the first three quarters of Lost’s final season, Varese Sarabande quickly followed up with the last album. The Last Episodes album also contains two discs. The first contains an hour of material from the three pre-finale episodes, while the second is a full disc that focuses on the series finale itself. This album is a wonderful capstone to ten discs of music. It gets all of the major themes and motifs together for a rousing finale while still introducing a couple new melodies. I’ve already discussed my general feelings on the last season in my last review but I will reiterate that the last episodes of Lost contain a lot of engrossing material, but also a few unfortunate issues that are common throughout the finales of serialized television shows, especially in the realm of sci-fi and fantasy. Of course, regardless of any of the episodes’ quality, Giacchino delivers perhaps his best work.

Before getting into a fuller rundown, I’ll quickly review each section of the soundtrack. The first comes for “The Candidate,” one of my favorite episodes of the last season. It’s an action-packed episode full of gunfights and ticking time elements. As a result Giacchino really lets loose with this one, right out of the gate in “Cage Crashers.” There are a couple emotional pieces from the flash-sideways in “Shephard’s Why” and “Flew the Coop,” but the music from the episode is mostly concentrated into two lengthy action cues: “Sub-Primed” and SS Lost-Tanic.” Continue reading

Lost: The Final Season (2010)

Composed by Michael Giacchino

Lost’s final season was entertaining and in some ways emotionally satisfying. However it failed to provide a cohesive explanation for all of the show’s mysteries. It was evident that the writers and producers did not a hundred percent know what they were building. The on-island stuff, despite some ridiculousness, is very engaging, but the new flash-sideways are a sore point for me (more on that in a couple paragraphs). Any flaws in the season were helped by Giacchino’s wonderful score. After focusing more of his creative energies on major motion pictures in 2009, he came back with a vengeance, capping off his television masterpiece with suitably amped up material. While the story was not resolved to viewers’ satisfaction, Giacchino successfully weaved all of his thematic material for an epic conclusion. Almost every theme of note appears across the four discs (the outlier is the Freighter theme from Season Four, which did have a brief iteration in the series finale but not on disc; same for the heartwarming Rose and Bernard theme).

The release of music for season six was both surprisingly extensive yet also confusing. The Season Six soundtrack itself only contains material from the first 13 episodes (12 if you count the first two as one like the album booklet). This was soon followed by a limited “Lost: The Last Episodes” release. However Varese Sarabande, the record label, neglected to clearly state that there would be two double-disc albums and many buyers were legitimately concerned that an abundance of great material would not be released. Not helping is the presence of two “bonus tracks” on the first set. These include “The Hole Shebang” and “Moving On,” the action and emotional climaxes of the series finale. Varese Sarabande likely intended these for those who would not buy the limited edition Last Episodes release. This is curious thinking as anybody who picks up the first album would likely be familiar with the show’s music and not be worried about shelling out more money for the epic conclusion. I will not be covering the two bonus cues until my review for the Last Episodes album. As always there will likely be spoilers. Continue reading