Soundtrack Review: Jurassic Park III

Composed by: Don Davis

Years after The Lost World, Spielberg took the producer’s seat for Jurassic Park’s third film entry. Joe Johnston took over directorial duties on Jurassic Park III. The third film seems a little out of place with the rest of the franchise. It only runs an hour and a half and the stakes are limited to finding a stranded boy on a dinosaur-infested island. It would have been at the level of a B-movie it wasn’t for some nifty special effects. I did appreciate how a new dinosaur, the Spinosaurus, got to take the role of main threat, though the film would too far out of the way to make it intimidating to the point that it was literally chasing the characters all the way across the island. This is another problem with the film, the dinosaurs stop being animals and start being monsters, to the point a T-Rex abandons a large meal to chase after scrawny humans. Continue reading

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The Lost World: Jurassic Park

Composed and Conducted by: John Williams

After the success of Jurassic Park Spielberg was asked to direct a sequel. There is some contention about how much he wanted to do it since he was busy building up Dreamworks. Regardless, it’s an inferior film. Actually, a lot of the pieces are good, especially Pete Postlethwaite as big game hunter Roland Tembo and many of the action scenes. But the film is riddled with plot holes and a couple heroes who despite the film telling us are protecting dinosaurs from exploitation in fact endanger themselves and every other human in the film with their stupidity. It’s a bad Spielberg film, which means it’s at least an okay film overall.

John Williams surprised many, and according to some disappointed, with his decision to take the music in a very different direction. Since the setting is changed from a theme park to a wild island were dinosaurs have been allowed to roam free, he decided that score should be more primal. Thus the soundtrack is much more dissonant, rife with percussion. Listening to this score makes one realize that if he wants to Williams can really let loose with the percussion and this gives the entire product a wholly unique flavor in his repertoire. The atmosphere is one of a lurking jungle punctuated by moments of intense terror. The drawback is that the music isn’t as consistently enjoyable as the first film’s, but at least Williams didn’t ape himself. Continue reading

Soundtrack Review: Jurassic Park

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Composed and Conducted by: John Williams

Jurassic Park began as a novel by Michael Crichton. It’s one of my favorite books of all time, obviously because of the dinosaurs. But it also deals with genetics and the incapability of man to control nature (“Life finds a way”, Jeff Goldblum puts it). The rights for a movie based on the book were quickly snatched up by Steven Spielberg, but he patiently waited until he was sure that film technology could do the story justice. It paid off tremendously, showing the potential of CGI while using practical effects to bolster the realism. Incredibly, and also pathetically, its CGI still outperforms today’s big budget affairs.

Along with Schindler’s List, Jurassic Park was part of the one-two 1993 punch involving Spielberg and John Williams. It shows how top on his game they were, both producing two of their greatest works in a single year. While the book had its humorous moments, it was very cynical and violent. The film has cynicism and violence, too, but Spielberg’s lighthearted manner of storytelling takes over. The movie actually departs from a book quite a bit, and yet both book and film are amazing. Continue reading