Composed by Michael Giacchino
The second season of Lost was a strong continuation of the show. Like the first season it focused much on the characters’ efforts to survive. But it also sees the character relationships start to cement, for better or worse. Also the island’s mysteries remain far out of reach, but elements of its past are slowly revealed through the discovery of the Hatch, an underground facility with a dark secret. Another major element is the discovery of another group of survivors from Oceanic 815, but thanks to circumstances involving the actors this didn’t amount to much in the long run. Michael Giacchino also continued his strong run, further developing his network of themes and motifs. The score as heard on album, however, is lacking in several areas.
One of the major issues is actually with the season itself. It’s not bad, but there are far less smoke monster and polar bear chases and the show hadn’t reached the point where shootouts became a common recurring feature. As a result the album moves rather slowly despite the quality of the compositions. The emotional character themes are almost exclusively broken up by dark suspense. Again the music is good, but the album flow suffers as a result. Ironically the second issue is related to the themes. The producers of the season 2 album seemed to prioritize establishing the various character themes. It catches up on ones that were introduced in season one, but absent from the first album, including those for one-hit musician and drug addict Charlie (“Charlie’s Temptation”), overweight comic relief Hurley (“World’s Worst Landscaping”), former Iraqi interrogator Sayid (“A New Trade”), and rich step-siblings Boone and Shannon (“Shannon’s Funeral”). There’s also a plethora of new character themes for Nigerian priest Eko (“All’s Forgiven…Except Charlie”), Korean couple Sun & Jin (“The Last to Know”), Scottish Desmond (“Bon Voyage, Traitor”), two more themes for Hurley (“Mess it All Up” and “Hurley’s Handouts”), and loveable old couple Rose and Bernard (in the track of the same name). In a 65 minute presentation the multitude of themes ensures that no theme or themes, such as the trio of strong identities on the first album, provide a cohesive framework. The album as a whole works better as part of a vast musical experience encompassing all ten discs rather than a stand-alone piece. Continue reading