Composed by: Michael Giacchino
Since everything has to have a cinematic universe now, Star Wars has been getting standalone movies alongside the main trilogies. The first of these, Rogue One, tells the story of how the Rebels got the Death Star plans. It’s an okay movie. Most of the characters are one-dimensional and it takes a while for things to get going. There’s little moments of horrible fanservice as well. Do we really need to see those two a-holes from the Mos Eisley cantina? And was it necessary to have a creepy CGI Tarkin? It wouldn’t be sacrilegious to just find a look-a-like actor and cast him. But the final battle is probably the best the franchise has ever offered and pretty much elevates the entire movie on its own.
Along with being a standalone movie, Rogue One is also notable for being the first Star Wars film scored by someone other than John Williams. Originally, director Gareth Edwards had Alexandre Desplat hired on. But thanks to a ridiculous amount of last-minute reshoots and re-editing, his score didn’t fit and he was too preoccupied with another project to rework it. Michael Giacchino was brought in to produce a full Star Wars score in under a month. Giacchino has often been associated with John Williams, with his Medal of Honor music being reminiscent of the Indiana Jones scores and his work on Jurassic World. So does his score stand up to Willliams’ standards? First the themes. Continue reading