Composed and Conducted by: Thomas Newman
Spectre, as the title suggests, reintroduced the evil organization led by the cat-stroking Ernst Stavro Blofeld. Daniel Craig’s performance as 007 is even better, but the film is a mixed bag. It’s great for the first two-thirds, but gets mired by an attempt to link all of the Craig films together, as well as tying his origins to Blofeld and Spectre’s creation, an unnecessary move that wastes time and adds nothing. It’s not a terrible film, just an underwhelming one.
With Sam Mendes staying on for this film, it was inevitable that Thomas Newman would return too, making him only the third recurring composer after John Barry and David Arnold. Unfortunately, entire passages of music are recycled from Skyfall, though the album does focus on the more original material. For the third time the title song is not included on the soundtrack! This time it’s Sam Smith’s “Writing’s on the Wall”, which has good lyrics and fantastic music. Its main downfall is Smith’s singing voice, which just didn’t do it for me. I feel he gets way too high-pitched at points. Also, as with Adele’s “Skyfall”, Newman only uses the song once in his score, in an instrumental version that doesn’t even make full use of the melody. Perhaps there were production issues as with Skyfall that hindered him from utilizing it more. Continue reading